CREA STUDIO Cultural Association
presents
This March in Milano
4 EVENTS
with
Maestro DOMINIQUE DE FAZIO
(enrolment limited)
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1st event
EXPERIENCE and EXPRESSION:
A 2-hour free meeting with Dominique De Fazio
on
THE POETIC THEATRE
18 March 2020
from 6:00 pm to 8:00 prm
Milano, Italy
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2nd event
“THE TRANSFORMATIVE ACTOR:
Beyond SELF-Expression”
A 2-hour free meeting with Dominique De Fazio
19 March 2020
from 6:00 pm to 8:00 prm
Milano, Italy
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3rd event
"Body as Soul"
A Seminar on Gesture and Movement
and
"The Unity of the Self" in Acting
20, 21 and 22 of March 2020
Milan, Italy
"Consider, for a moment, your whole self as a body, a flow, without separate compartments - a single psycho-physical-sensory gesture of your whole body and your spirit"
There is a training that an actor ca do that brings him into a new world of expression, a world in wihich every experience is already a movement.
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4th event
"The Professional Training Program"
A 6-day intensive training workshop
for Actors and Directors in Film and Theatre
23-28 March 2020
Milan, Italy
In this program, one does practical training in Level I of Dominique De Fazio’s Training System: HOW TO CREATE.
In this winter workshop, under the personal guidance of Dominique De Fazio, one will begin to train in the eight aspects of the Level I Training:
• The essence of naturalness
• The nature of experience
• The unity of experience and expression
• The connection of voice to body
• The practice of allowing “sensations” from life to lead one into “actions”
• The distinction between “react” and “reveal”
• The fundamentals of HOW TO CREATE
“Sbaglia chi crede d’essere la somma della proprie esperienze storiche, politiche e artistiche” – dice in veste di maestro Americano figlio di un calabrese, insegnante globetrotter, per metà anno domiciliato in Italia – “ed è invece indispensabile reindividuare la nostra leggerezza, la nostra verginità, la facoltà di commuoverci, di assorbire sempre da capo. Va ridato valore a un’innocenza che prescinda dalle nevrosi per il successo. Va stimolato in ognuno un processo ideativo autonomo che blocchi sul nascere lo spirito di imitazione di forti esempi attoriali. È utile saper dare un giusto risalto ai ritmi organici, e non meccanici, non concettuali: c’è più musica in una foglia che cade da un albero che in uno spartito stupendo.”
Dall’articolo su Dominique De Fazio intitolato “Nella palestra dell’anima” di Rodolfo Di Giammarco per La Repubblica.